MAJESTIC SCOTLAND
Iconically Scottish, a jewel of heritage steeped in the influences of the French and Italian Renaissances, this landscape of dazzling shades of green is the perfect backdrop for the show, highlighting the silhouettes dreamed up by Maria Grazia Chiuri, showcasing the rich textile history and artisanal traditions of this unique country.
A poetic, bucolic invitation to the meeting of past and future, celebrating the unique, powerful ties forged from the very beginnings of the Maison, for the autumn-winter 1947 collection. Christian Dior named an emblematic haute couture ensemble Écosse. These affinities were further strengthened at a sumptuous défilé followed by a ball orchestrated at the Gleneagles Hotel, where the founding-couturier presented models from spring-summer 1955.
All odes to the beauty of travel and culture, reinvented in this cruise 2025 line, symbolizing the Franco-Scottish creative dialogue that has spanned eras and fashions.
“The close connection between France and Scotland goes back to the Auld Alliance, the treaty of mutual support made between the two countries in the 13th century. It established a dynamic cultural exchange, which was maintained over the following centuries. Many of the Scottish elite, and the Scottish clergy, were educated in France, and the finesse and flamboyance of French fashion, architectural design and celebratory festivities was introduced to Scotland.” (Clare Hunter, author of Embroidering Her Truth: Mary, Queen of Scots and the Language of Power*, which is at the heart of Maria Grazia Chiuri's inspirations)
These powerful cultural interactions have continued ever since, particularly after Mary Stuart became Queen of France. When she returned to Scotland, she brought with her members of her French household, her valet, her embroiderer and her tapestry-maker, as well as precious French textiles.
*Embroidering Her Truth: Mary, Queen of Scots and the Language of Power, Clare Hunter, Sceptre, 2022.
© Adrien Dirand © Drummond Castle